1986 family studio group portrait

Use my uploaded photo. Count the people in it and render exactly that many — no more, no fewer. Anchor each face to its counterpart by left-to-right order: the first person from the left stays the first from the left, and so on. Do not merge, average, swap or blend any two identities, and do not let features from one face drift onto another. Keep each face exactly as it is — same features, skin tone and natural asymmetry — and preserve the age gaps between us: do not make older people look younger or children look older to even out the group. No slimming, lightening or smoothing on anyone. Change only hair, clothes, jewellery, pose and background. Make this a 1986 Indian portrait-studio group photograph: mid-80s styling appropriate to each age, crown volume and soft curls on the adults, oiled and combed hair on the children. Coordinated warm earth tones — rust, cream and olive — not identical outfits but a shared palette, with padded shoulders on the adults and pressed shirts and simple frocks on the children. Arrange us in the standard studio tier: the eldest seated centrally on a chair, others standing behind and to either side with shoulders angled inward, children seated at the front, every head at a different height, everyone turned about twenty degrees from square, looking into the lens with composed closed-mouth smiles and every pair of eyes open. Behind us a hand-painted mottled canvas backdrop in blue and grey-blue, lighter behind the heads. Broad studio light from front-left high enough to shape the faces with a soft shadow under each nose, a fill from the right at half the key so nobody at the edge falls dark, a hair light rimming the crowns and a background light making the halo. Medium-format film on glossy paper, 1986: fine grain, warm skin tones, mild vignetting. Horizontal 4:3, waist up on everyone.