1987 rain-song film frame (couple)

Use my uploaded photo, which has two people in it. Anchor each face to its counterpart by position — left stays left, right stays right. Do not merge, average, swap or blend the two identities. Keep each face exactly as it is — same features, skin tone, age and natural asymmetry. Both faces must remain fully visible, in focus and clearly lit: rain, hair and shadow may surround them but must not obscure, streak across or darken either face, and neither of us may fall into silhouette. Change only hair, clothes, pose and surroundings. Make this a 1987 Hindi film rain sequence: hair wet and heavy, clinging in separated strands, pushed back from both foreheads so neither face is covered. Rain-soaked clothing — a white chiffon saree with the pallu clinging and translucent where wet, and a pale blue cotton shirt darkened and stuck to the shoulders — with the fabric behaving as genuinely wet cloth, heavier, darker, clinging, water running from the hems. We stand close and face each other in three-quarter view to camera, foreheads nearly touching, both turned enough that the camera sees us clearly. Behind, near-black depth with the suggestion of a wall and a single wet street lamp. One hard key from high front-left keeping both faces bright and readable, and one very strong backlight from behind and above aimed into the falling rain so every drop lights up as a bright streak against the dark, tracing a hot rim on both heads and shoulders, with hard specular highlights on wet skin and fabric. 35mm film pushed for a night exterior, 1987: grain, cool blue shadows against a warm key, strong halation blooming around the backlit rain and the lamp, crushed blacks. Horizontal 16:9, chest up on both.