1987 hand-painted film poster (couple)

Use my uploaded photo, which has two people in it. Anchor each painted face to its counterpart by position — left stays left, right stays right. Do not merge, average, swap or blend the two identities. Keep each face recognisably theirs: bone structure, nose, eyes, lips, skin tone and age. The painting style may simplify surface detail, but no proportion may be altered — do not slim a face, narrow a nose, enlarge eyes or lighten skin in the name of style. Change only hair, clothes, pose, composition and background. Make this a hand-painted Indian film poster from 1987, painted in oils on board by a poster artist and then printed on cheap paper: visible brushwork, heightened saturated colour, simplified planes on the faces with hard-edged highlights, and the mildly exaggerated drama of commercial poster painting. Not a photograph, not a digital illustration, not an airbrush render. Classic two-hero arrangement — both faces large in the upper two thirds, one slightly higher and turned three-quarters, the other lower and more frontal, overlapping at the shoulder, with painted rays radiating behind the heads. Below, a smaller full-figure vignette of the same two people in a dramatic pose against a rain-lashed hillside with a speeding jeep, painted looser and less detailed. Leave a wide clear band across the lower third for a title, and render any lettering as plausible English poster type, smaller and softer where it cannot be crisp. No Devanagari, no real film's title or logo. Printed cheap in 1987: slightly misregistered colour separations with thin coloured fringes, visible halftone dots, yellowed faded paper, a soft crease down one side. Vertical 3:4 poster.