Late-80s stage glam under coloured light

Use my uploaded photo. Keep my face exactly as it is — same features, skin tone, age and natural asymmetry. Coloured stage light may fall on my hair and shoulders, but my face must stay close to neutral in tone and no feature may be reshaped, narrowed or enlarged. Change only my hair, clothes, jewellery, pose and surroundings. Make me a 1988 stage performer: very large backcombed hair with heavy loose curls, moving as if mid-turn and catching a hot rim from behind. A gold sequinned gown with strong padded shoulders, heavy with sequins that catch light as hard individual points rather than an even sheen, long drop earrings that swing, and stacked bangles on one wrist. I am mid-movement, torso turned, one shoulder dropped toward camera, chin lifted, confident and open, one arm raised. Behind me near-black depth with thin haze in the air, a suggestion of a light truss overhead and no visible audience. One hard warm key from high front-left keeping my face readable and close to neutral, and one strong coloured rim from behind right drawing a bright hot edge along my hair, raised arm and one shoulder. Use only two colours, one warm and one cool — the colour belongs to the rim, the haze and the background, not smeared across my skin. Fast 35mm film pushed a stop, 1988: coarse grain, strong halation blooming off the sequins and the rim, crushed blacks. No phone, no LED wall, no modern fixtures. Vertical 9:16, mid-thigh up.