Rewrite a manuscript's opening page so the hook is a specific, active moment instead of scene-setting

Rewrite the opening of the manuscript below. I want to fix the actual hook, which usually means the current opening is doing scene-setting or backstory when it should be dropping the reader into something already in motion.

CURRENT OPENING
The morning sun rose over the small coastal town of Aldercliff, painting the water in shades of gold. Maria had lived here her whole life and often thought about how much the town had changed since she was a child.

GENRE
Literary mystery

WHAT THE STORY IS ACTUALLY ABOUT
Maria, a lighthouse keeper's daughter, discovers her father falsified the log the night a ship went missing, and has to decide whether to expose him decades later.

WHAT MUST BE ESTABLISHED EARLY (non-negotiable context)
The reader needs to know Maria has lived in Aldercliff her whole life and that her father recently died, leaving her his old logbooks.

RULES
First, diagnose the current opening plainly: identify whether it opens with description, backstory, waking up, or a character alone in their thoughts before anything happens — name the specific pattern, since these are the most common openings that fail to hook and each has a slightly different fix. Then produce three distinct rewritten opening options, each starting at a different possible active moment — not three versions of the same scene with different wording, but three genuinely different points of entry into the story (for example: mid-conflict, mid-conversation with something already at stake, or immediately after a consequence has landed and the character is dealing with its fallout). For each option, weave in only the pieces of The reader needs to know Maria has lived in Aldercliff her whole life and that her father recently died, leaving her his old logbooks. that can be conveyed through action or dialogue in the moment, and explicitly flag any required context that doesn't fit naturally in an opening page — that context should move to a slightly later, better-suited point in the story rather than being forced into the opening through exposition. Each option should raise at least one specific, concrete question in the reader's mind by the end of the page that only continued reading can answer — state what that question is for each option.

WHAT NOT TO DO
Do not open any option with weather, physical scene description, or a character waking up unless Literary mystery specifically calls for that convention and it's handled with a twist that subverts the reader's expectation of it. Do not cram all of The reader needs to know Maria has lived in Aldercliff her whole life and that her father recently died, leaving her his old logbooks. into the opening page just because it's marked non-negotiable — flag what doesn't fit rather than sacrificing the hook to include it.

OUTPUT FORMAT
1. Diagnosis of the current opening's pattern and why it likely isn't hooking a reader.
2. Three rewritten opening options, each labeled with its entry point strategy.
3. For each option: the specific question it raises for the reader, and any required context it couldn't fit.