Brief a print-ready, ultra-high-resolution poster with Flux1.1 [pro] Ultra

FINAL USE CASE
a 24x36 inch event poster, printed and mounted, viewed from roughly 3-4 feet away. This determines how much fine detail actually needs to survive — a poster viewed at arm's length needs real texture at every depth, not just a sharp hero subject with a soft background.

SUBJECT
a solo trumpet player mid-performance under a single spotlight, captured from a low angle

SETTING AND BACKGROUND DETAIL
a dim jazz club interior — brick wall, hanging string lights, a few blurred silhouettes of an audience at small tables. Because this will print at large size, describe background elements with the same specificity as the foreground subject — the brick texture and individual string lights should still read as distinct shapes even slightly out of focus, not a flat colored smear — rather than leaving distant elements vague, since "vague" at large-format print size reads as visibly soft or empty, not tastefully out of focus.

COMPOSITION FOR THE FINAL CROP
the lower third left deliberately dark and uncluttered for the event date and venue name, subject occupying the upper two-thirds. State explicitly where any text or logo will be placed by the designer afterward, and keep that zone visually calm, the way the reserved-space technique works for social graphics — except here the stakes are a wasted print run, not a re-edit.

RAW MODE VERSUS STYLIZED LOOK
raw, unretouched skin texture and natural grain — this should feel like a real concert photograph, not a retouched album cover. State whether this should read as an unretouched, raw-feeling photograph — Ultra's raw mode — or a more polished, intentionally graded commercial look, since Ultra's raw setting measurably changes skin texture, grain, and color punchiness.

CAMERA AND LENS
shot as if on a Sony A7R V with an 85mm f/1.4 lens, shallow depth of field isolating the trumpet and face, described with the same care as a magazine cover shoot, since Ultra's higher resolution will actually resolve lens character — grain, chromatic fringing, depth-of-field falloff — that a lower-resolution Flux generation would simply not render with enough fidelity to notice.

WHAT THE FRAME SHOULD NOT CONTAIN
Because Flux has no negative-prompt field, state this positively: the frame contains only the subject and setting described above — no watermark, no placeholder text, no visible seam or tiling artifact anywhere across the full high-resolution canvas.

BLEED AND TRIM ALLOWANCE
If this will be professionally printed, state whether the composition needs a bleed margin — extra image content extending past the final trim line on every edge — so nothing critical (the subject's silhouette, a key compositional element) sits so close to the edge that a small trim variance during printing could cut into it. Describe what should exist in that margin area, since it is still part of the generated canvas even though it won't be visible in the final trimmed print.

CHECK BEFORE SENDING TO PRINT
View the output at 100% zoom on at least three different regions of the frame — the subject, the mid-ground, and a far background corner — rather than judging overall sharpness from a shrunk-down preview, since a preview that looks sharp can still reveal soft or repetitive-looking texture once inspected at the actual resolution a print job will use.

OUTPUT
One image at Ultra's full resolution, with detail density consistent across the entire frame, not just the subject, sharp enough to hold up at the final use case's actual viewing distance.