Music & Voice

Verified against ElevenLabs Voice Design · 2026-08-11

Script and voice a 30-second audio ad that hits its offer before listeners tune out

An ElevenLabs Voice Design brief for a radio-style audio ad read, tuned around the specific line that carries the offer and the urgency it needs to land in a strict 30-second window.

ElevenLabs Voice Design8 fillable variables

The prompt

Ready to copy — highlighted parts are example details you can swap.

You are voicing a 30-second audio ad. Deliver the following read as: a friendly local business owner, not a slick national-brand announcer, 40s, male, midwestern American accent, upbeat but grounded, not shouty energy. The line "Everything in the store is 30% off this weekend only" must land with clear emphasis and a slight forward lean in pace — this is the one thing the listener needs to retain if nothing else. The closing line "Visit us on Main Street, or find us online at rileyshardware dot com" should slow down slightly and land with confident, unhurried clarity so it's easy to catch on a car radio or in the background. Overall pacing: brisk conversational, no dead air, tight enough to fit a hard 30-second broadcast slot without sounding rushed.

Customize

Optional — swap in your own details for the highlighted parts above.

Why this works

A 30-second ad slot is a hard constraint, not a suggestion, and most audio-ad prompts fail by describing a voice character in general terms while leaving pacing entirely to the model's default read speed, which routinely produces a script that either runs long or rushes the one line that actually sells anything. Marking the offer line explicitly and instructing a slight forward lean in pace around it works because Voice Design treats inline delivery instructions as local overrides on rhythm — it will pick up pace and add stress precisely where told rather than applying one flat energy level across the whole 30 seconds, which is what a generic "upbeat, energetic" instruction produces. Slowing down specifically on the call-to-action line is the opposite move for a good reason: contact details and URLs are exactly the information listeners miss when a read stays fast throughout, and background or car-radio listening (the actual context this format is built for) means the CTA is often the only line getting real attention. Choosing "a friendly local business owner, not a slick national-brand announcer" as the persona anchor also matters because it steers away from the default over-produced announcer cadence Voice Design tends toward, which reads as generic stock-ad filler rather than an ad a listener trusts.

What you get back

An upbeat, grounded male voice in his 40s with a midwestern accent opens conversationally, picks up pace and stresses '30% off' on the offer line, then eases into a slower, clear, unhurried delivery of the address and website so both are easy to catch even with half an ear, closing right at the 30-second mark with no rushed final syllables.

Verified against

ElevenLabs Voice Design 2026 release · 2026-08-11

Changelog

  • 2026-08-11 — Initial publish, verified against ElevenLabs Voice Design 2026 release.

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